一线是中国绘画中的一个重要因素,这与中国毛笔的发明与应用有直接的关系。从远古至今,线条由岩画的刻石到毛笔的书写,完成了由描摹到表现的转变,中国画的线从最原始的描摹临写的功能脱离出来而具有了独立的艺术表现力。我沉缅于中国画中线条的无穷表现能力,由不同的纸张、书写工具与线条组合传达出不同的韵味,从率笔直取、风樯阵马到气定神闲,如抽丝剥茧,线从腕底到指尖再流向纸面的过程,正是即刻心性的全然表达。 The first line is an important factor in Chinese painting, which is directly related to the invention and application of Chinese brush. Since ancient times, the lines from the petroglyphs to the writing brush have completed the transition from tracing to representation, and the lines of Chinese painting have detached themselves from the original function of tracing and writing, which has independent artistic expression. I indulge in the endless expression of Chinese painting lines of abilities, by different paper, writing instruments and lines to convey a different combination of flavor, straightforward from the wind to the horse to the rest of the air, such as exterminate, the line from the wrist to Fingertips and then flow to the paper, it is the immediate expression of total heart.