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保罗·奥斯特的叙述迷宫的实现,有赖于语言与文字游戏。作为带有后现代色彩的玄学侦探小说,《纽约三部曲》首先从文本的语言与文字层面上进行大胆创新,从文本最基本的组成要素入手,实施迷宫文本的建构,传达后现代主义文化背景下的语言思考。本文主要从断裂的语言、语言游戏和文字游戏入手,着重探讨叙述话语背后的深层思想内涵。
The realization of Paul Auster’s narrative maze depended on language and word games. As a metaphysical detective novels with a postmodern color, The New York Trilogy first boldly innovates from the linguistic and literal level of the text. Starting with the most basic elements of the text, the New York Trilogy implements the construction of the maze text and communicates the postmodernist culture Language in the background. This article mainly starts with broken language, language games and word games, and focuses on the deep thought connotation behind the narrative discourse.