唐宋以降,文人画兴起,这种以抒发胸中逸气,不求形似,寥寥数笔的文人画,在元代有了很大的发展,使其占据了画坛的主导地位。然而,由于工具材料的限制,特别是保守的艺术观念的束缚,中国绘画数百年来没有多大变化,以致使人们一谈到中国画便想起了寥寥数笔,以墨为主,大块的空白,少许敷彩,不求形似,介乎于抽象与具象之间的模式。于是中国画的“穷 The decline of the Tang and Song Dynasties, the rise of literati painting, this kind of literati painting to express his chest out of touch, not seeking shape, a few pen, in the Yuan Dynasty has made great development, making it occupy the dominance of the painting circles. However, due to the limitation of tools and materials, especially the conservative art concept, the Chinese painting has not changed much in the past hundreds of years, so that when people talk about Chinese painting they think of a few pen, ink-based, big blank , A little lottery, not seeking shape, ranging from abstract and figurative mode. So Chinese painting "poor