论文部分内容阅读
中国传统音乐文化辉煌灿烂。提起唐代大曲,谁人不知富有传奇色彩的“霓裳羽衣曲”;谈到统治阶级大力提倡的礼乐制度,编钟、编磬作为礼乐乐队中的标配,作为反映用乐者身份等级的符号,随着大型墓葬中,如曾侯乙编钟、编磬的重见天日,吸引了无数目光;古琴音乐、词调音乐构成的文人音乐,向来为人们津津乐道;海纳百川的戏曲音乐遍地开花,在各地繁衍生息,并形成了数量众多的具有鲜明地方特色的声腔、剧种……然而,随着时间的推进,在历史长河中,长江后浪推
Chinese traditional music culture brilliant. Mention of the Tang Dynasty Daqu, who do not know the legendary “Colorful clothes”, talked about the ritual music system vigorously advocated by the ruling class, chimes, chimes as standard in the ritual music band, as a reflection of the level of musician identity Symbols, with the large tombs, such as the Zenghou B bells, rediscovering day by day, has attracted countless eyesight; classical music, composed of tone music, literati music, has always been for people to relish; enjoyable rivers and seas of opera music everywhere, multiply Live, and formed a large number of distinctive local characteristics of the voice cavity, drama ... ... However, as time goes by, in the long history of the Yangtze River after the push