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在当前的赖声川戏剧研究中,虽然《新加坡即兴》属于被遗忘和疏忽的剧作之一,但是它却以独特简约的戏剧情境和神秘模糊的叙事风格,折射出赖声川戏剧创作背后的思想价值观及其对于哈罗德·品特静态戏剧艺术风格的借鉴与创造。本文通过对品特戏剧与赖声川《新加坡即兴》的比较分析,不仅可以在赖声川的剧作中领略到品特戏剧独特的风格与魅力,也有助于拓展赖声川戏剧研究的范围与视角。
In the current study of Lai Sing Chuan drama, although Singapore Improvis is one of the forgotten and neglected plays, it reflects the ideological values behind Lai Shengchuan’s dramatic creation with its uniquely simple drama and mysterious and vague narrative style. Its reference and creation to Harold Pinter’s theatrical style of static drama. The comparative analysis of Pinter drama and Lai Sheng-chuan’s “Singapore Improvis” not only gives a taste of the unique style and charm of Pinter drama in the drama of Lai Shengchuan, but also helps to expand the scope and perspective of Lai Shengchuan’s drama study.