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戏剧小天地,人生大舞台。人们总是习惯于拉开距离,在舞台戏剧中体察世情、了解社会、品味人生、领悟哲理。殊不知,我们就生活在戏剧——人生戏剧中。 审美需要距离,距离产生美。有距离就意味着我们不可能融入舞台戏剧中,我们只能实实在在生活在尘世里,平常、平凡、庸俗、俗气、琐碎…一切都是那么实在、那么自然而然。和戏剧中的起伏跌宕、高潮低谷、悲欢离合对不上号。生活中,既使悲欢,也有铺垫;既使离合,早已明察,显得那么顺理成章——符合生活的逻辑,唤不起激情,憾不动自己,感不动别人。一天又一天,日子就是这佯——人生戏剧就是在悄无声息中拉开帷幕,在平平凡凡中展开剧情。并且,因为“身在庐山”,没有距离,我们自己无从审美。我们只能留给其余的“我们”来审视。
Drama world, big stage of life. People are always accustomed to distanced themselves from the drama in the world, understand the society, taste life, understand philosophy. As everyone knows, we live in drama - life drama. Aesthetic needs distance, distance produces beauty. The distance means that we can not integrate into the stage drama, we can only really live in the world, ordinary, ordinary, vulgar, vulgar, trivial ... everything is so real, so natural. And ups and downs in the drama, the climax of the valley, joys and sorrows are not on the number. Even life, even if the joys and sorrows, but also paving the way; even if the clutch, has long been clear, it seems so logical - in line with the logic of life, can not call passion, regrettable not moving themselves, not moving others. Day by day, the day is this paradox - life drama is quietly opened in the ordinary story of the ordinary. And, because “in Lushan”, no distance, we can not aesthetic. We can only leave the rest of us to examine.