我们知道,相对于博物馆、美术馆中的常设策展人和客座策展人,独立策展人以独立性、灵活性以及经常的前沿性为特点。应该说,老一辈独立策展人如栗宪庭、高名潞、王林等人多从批评家“转业”而来,以自己较为开阔的视野和理想化的艺术理念,在中国推动了西方当代艺术的传播,也把中国的艺术和文化以可争议的形式推向世界。在这一过程中,独立策展人也收获了他们的名声与话语权。随之而来, We know that independent curators are often independent, flexible and often frontier in relation to curators and visiting curators in museums and galleries. It should be said that the older generation of independent curators such as Li Xianting, Gao Minglu, Wang Lin and others mostly came from critics, “turning to work”, with their own broader vision and idealized artistic concept, promoted in China The spread of Western contemporary art also brings the art and culture of China to the world in a controversial form. In the process, independent curators also gained their reputation and voice. come behind,