论文部分内容阅读
始于绘画的悖理图形一直是我们图形设计者深入发掘和研究的对象,针对这种非自然构成的图形语言,我们一直试图探寻出其毫无逻辑的图形背后存在的某种逻辑关系,来指导我们的设计,从而更好地掌握和运用这种图形。本文从作者的观点出发,尝试通过分析悖理思维在图形创意中的作用以及招贴中悖理图形使用方式的区别变化和创意思路,使视觉设计者在悖理图形表达上游刃有余,有益于我们在招贴设计中有的放矢,更有利于以少胜多、以一当十的观念表达。
The paradoxical graphic that began with painting has long been the object of our graphic designers’ deep exploration and research. In response to this non-natural graphic language, we have been trying to find out some logical relationship behind the non-logical graphic to guide Our design, so as to better grasp and use of this graphic. This article from the author’s point of view, try to analyze the role of paradox in the graphic ideas and plagiarism in the use of graphical differences in the way of thinking and creative thinking, visual designers in the paradox of graphical expression ease, is conducive to our poster design Targeted, more conducive to the less wins more, with a ten when the concept of expression.