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文章从唐卡艺术与陶瓷艺术的精神内涵入手,探讨以陶瓷为媒介的新唐卡艺术形式的特色与文化价值。随后分析两种工艺在创作中的交融与再造,体会这一新艺术形式的人文情怀与艺术价值,并透过对陶瓷材质与唐卡内在精神的研究,引导人们如何在这个盲目追求物质消遣与时尚文化的多元时代,不受大众化思维的影响,重拾艺术的精神品质,继而填补大众审美的精神缺失。
The article starts from the spiritual connotation of Thangka art and ceramic art and discusses the characteristics and cultural values of the art form of Neo-Thangka with ceramics as medium. Then analyze the blending and reengineering of the two kinds of craft in creation, and realize the humane feeling and artistic value of this new art form. Through the research on the ceramic material and the inner spirit of Thangka, how to guide people in this blind pursuit of material recreation and The pluralistic era of fashion culture is not influenced by popular thinking and regains the spiritual quality of art, thus filling the lack of spiritual appreciation of the general public.