江户川乱步的《顶阁里的散步者》以主人公乡田三郎在顶阁的散步为中心,表现了都市游荡者为排解内心倦怠、无聊而不断追寻视觉刺激的过程。顶阁这一封闭空间的独特构造让游荡者得以窥视他人私密空间的秘密,这种窥视视线最终表现为单向的视觉权力。 Edogawa’s chaos of “Roof Promenade” took the protagonist Sanda Saburo’s promenade as the center, demonstrating the process by which urban wanderers constantly search for visual stimuli in order to resolve their inner burnout and boredom. The unique structure of the top cabinet, a closed space, allows the rogues to peek into the privacy of others’ private spaces, which eventually manifests itself as one-way visual power.