中国戏曲艺术特质及娱乐性功用追求 以《法门寺》为例

来源 :中国戏剧 | 被引量 : 0次 | 上传用户:enjoyyu
下载到本地 , 更方便阅读
声明 : 本文档内容版权归属内容提供方 , 如果您对本文有版权争议 , 可与客服联系进行内容授权或下架
论文部分内容阅读
《法门寺》是一出骨子老戏。现今舞台上京剧常演该剧,除京剧外,在历史上其它剧种也经常演出。就笔者所知,至少汉剧、徽剧、晋剧、滇剧、湘剧、豫剧、河北梆子、同洲梆子也有类似剧目,只是剧目叫法有多种,如《眉邬县》、《佛殿告状》等;而晋剧则名为《宋巧娇告状》、《双娇奇缘》、《拾玉镯》等。此剧最早见于道光二十五年刊本《都门纪略》。老一代的如谭鑫培、裘盛戎、袁世海、童芷苓、言菊朋等均工此戏。可见该剧深受欢迎,影响广泛。 “Famen Temple” is an old drama. Peking Opera plays are often on the stage today, with the exception of Peking opera, where other dramas have often performed in history. As far as I know, at least Han drama, Hui drama, Jin opera, Yunnan opera, Xiang opera, Henan opera, Hebei raccoon and Tongzhou raccoon have similar repertoire, but there are many repertoire such as “Meiwu County”, “ Etc .; while the Jin drama is called ”Song Qiao Jueu sue“, ”Double Johnson Romance“, ”picked up jade bracelet“ and so on. This drama was first seen in twenty-five years Daoguang edition ”Dumen Ji slightly." The older generation, such as Tan Xinpei, Qiu Shengrong, Yuan Shiyi, Tong Zhiling, Yan Jupeng are all workers in this play. Shows that the drama is popular, widely influential.
其他文献