杨键的诗长于以视觉意象推进诗意,是非常适合翻译的诗歌,一般直译亦能把诗意的重要部分传递。可是,让译文吻合译入语的诗体传统也非常重要,因为诗意到底不是客观的东西,而是读者在自己文学传统里习惯了的反应;因此,诗的翻译常常需要制造源文里没有的诗意元素来作补充。本文以Fiona Sze-Lorrain翻译杨键的《祖国》和《跃进桥》两首诗为例,讨论在译本里加入源文没有的元素,企图增加译文在译入系统中的诗意。 Yang Jian’s poetry is a poetry that is very suitable for translation in terms of visual imagery. In general, literal translation can also convey important parts of poetry. However, it is also important to have the translation fit into the poetic tradition of the target language, for the poetic is not objective in the end, but the reader’s reaction in his own literary tradition; therefore, the translation of poetry often requires the production of Poetic elements to supplement. Taking Fiona Sze-Lorrain’s translator Yang’s “Motherland” and “Yuejin Bridge” as examples, this article discusses the incorporation of elements that are not included in the translation into an attempt to increase the translation of the translation into the system.