元代著名曲学家、曲作家周德清的曲学名著《中原音韵》中的曲论部分《作词十法》 ,首次对北曲文辞创作的要领、规律、禁忌、法则等进行研究 ,其观点多发前人所未发 ,被时人及后人悬为定例。然而他本人的曲作却不能完全达到他自己提出的作曲要求和标准。这表现了他的曲论的某些局限性 ,以及他分别作为曲论家和曲作家时客观和主观的差异 ,也体现了当时文坛的风尚。 The famous songwriter and songwriter Zhou Deqing’s masterpiece “ten phonetic notation” in the music theory of Zhongyuan phonology, the first time, studied the essentials, laws, taboos and rules of Bequ music composition. Unforeseen multiple hair, was suspended by the people and future generations as an example. However, his own music can not fully meet his own composing requirements and standards. This shows some limitations of his music theory, as well as his objective and subjective differences as a songwriter and a songwriter respectively, and also reflects the fashion of the literary world at that time.