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布迪厄的学术目标具有政治性,因此他对文学艺术的思考,围绕着反抗社会不平等的主题。他的社会学诗学包括两个方面:就社会学美学而言,指出文化隔充当着将社会阶级的区隔加以合法化的功能;就文学社会学而言,分析了文化生产场的发生和结构,并指出对于支配着文学生产场的根本信念即艺术自主性的坚持,乃是反对符号统治的重要手段。对于布迪厄社会学诗学对于中国学术语境的积极意义应予以一定讨论。
Bourdieu’s academic goals are political, so his thinking on literature and art revolves around the theme of opposing social inequality. His sociology poetics includes two aspects: in terms of sociological aesthetics, it points out that cultural separatism is at the function of legalizing the separation of social classes; in terms of sociology of literature, it analyzes the occurrence of cultural production sites and Structure and pointed out that the insistence on the fundamental belief that art is dominant in art production field is an important measure against the rule of symbols. The discussion of the positive significance of Bourdieu’s sociology poetics to Chinese academic context should be discussed.