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在恣肆的水晕墨涂中追求形象的明确,神韵的游动,还有光色的闪跃和颤动,创造出一个变化无穷的水墨世界。我们常常为永乐宫壁画中刚健飘逸的中锋长线勾勒所叹服,为梁楷《泼墨仙人图》中风驰电掣般的水墨挥洒而激动。先辈们辛勤劳动积累下来的无数优秀技法和经验,为中国画人物画创作奠定了坚实的基础,但是随着时代的前进、艺术的发展,我们也明显感到,中国画传统技法的表现力并不是全能的,它在深度和广度等方面都存在着一定的局限,它那容易引发程式化
In the unbridled water halo Tu ink in the pursuit of a clear image of the charm of the wandering, as well as light color flash and tremor, to create a world of infinite ink. We are always amazed by the long and graceful centerline outlined in the frescoes of the Yongle Palace murals. The innumerable excellent techniques and experiences accumulated by the hard work of our predecessors have laid a solid foundation for the creation of Chinese painting portraits. However, with the progress of the times and the development of the arts, we also clearly feel that the expressive power of traditional Chinese painting techniques is not the only one , Its depth and breadth and so there are some limitations, it is easy to lead to stylized