电影场景的跨地域性源于创作者的文化追求和思想旨归,而电影艺术无近弗远的技术特性更为其提供了绝佳的表达空间。在早期的世界电影实践中,电影创作者已然意识到异域想象的商业价值与文化价值,卢米埃尔兄弟的摄影师们每到一个国家,都热衷于用镜头捕捉当地的自然风光及风土人情。此后,好莱坞电影也习惯于借用“空间转向”的策略来满足其奇观化的叙事需要。于是,欧洲、美洲、亚洲、非洲的地域场景在好莱坞大 The trans-regional nature of the film scene stems from the creators’ cultural pursuit and ideological goals, while the artistic features of film art that provide almost no fidelity provide an excellent space for expression. In early world cinema practice, filmmakers were already aware of the commercial and cultural values ​​of exotic imagination. The Lumiere brothers’ photographers, each coming to a country, were keen to use the camera to capture the natural beauty of the area . Since then, Hollywood movies have also become accustomed to borrowing the “space turn ” strategy to meet their spectacular narrative needs. As a result, the geographical scene of Europe, America, Asia, Africa is big in Hollywood