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伴随着新中国戏剧事业的发展进程,范正明始终是湖南戏剧事业建设的一个参与者、创作者、研究者、领导管理者。针对湖南地域性的戏剧留存,针对新中国各个时期戏剧工作的实施开展,以及湖南戏剧状态,范正明不断在思考,研究,总结并写下大量的戏剧学术论文、随笔、评论等,并且有成果丰硕的戏剧改编、创作作品和编撰著作。其中湘剧《百花公主》、改编湘剧高腔《琵琶记》上、下集,改编的湘剧高腔《白兔记》成
Along with the development of new Chinese theater, Fan Zhengming has always been a participant, creator, researcher and leader of Hunan’s drama industry. In response to the preservation of regional drama in Hunan Province, in response to the implementation of theatrical work in different periods in New China and the state of Hunan drama, Fan Zhengming constantly ponders, studies, summarizes and writes a large amount of drama academic essays, essays, commentary, and so forth Fruitful adaptation of the theater, creation of works and compilation of works. One of the Xiang Opera “Flowers Princess”, adapted Hunan opera high chamber “Pipa” on the set, adapted from the opera chamber “White Rabbit” into