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我想就会议的第一题“回顾我国社会主义美术发展的历程,总结我们的经验”谈点看法。这个题很重要。因为,不认清昨天,就难以把握好今天和明天。 首先是如何看待“文革”以前几十年的革命美术。一种意见认为,尽管建国初期十七年中有过“左”的失误,但不失是光辉的历程;另一种意见则认为“长期僵化凝滞而统治艺坛数十年的单一模式。”这里说的“模式”,用他的另一句话说,就是“……沦为工具的悲惨命运。”
I would like to comment on the first issue of the conference, “Review the Course of the Development of Socialist Fine Arts in Our Country and Summarize Our Experience.” This question is very important. Because, do not recognize yesterday, it is difficult to grasp today and tomorrow. The first is how to view the revolutionary art of the previous decades during the “Cultural Revolution.” According to one opinion, despite the “Leftist” mistakes made in the early 17 years of the founding of the People ’s Republic of China, it is still a glorious course. Another view is that “there is a single pattern of long - term rigid and stagnant rule over the art scene for decades. The ”pattern“ here is, in his other sentence, ”... the tragic fate of becoming a tool."