西方现代美术史中对杜尚的定位往往是将它归在达达主义阵营里面。的确,他的很多作品都带有达达式的调侃、戏谑、破坏性,但是通过对历史及杜尚作品的分析,我们又发现了一个超现实主义的杜尚,本文以大量的资料和客观分析论证了杜尚创作思维的超现实性。 The positioning of Duchamp in the western modern art history is often attributed to it in the Dadaist camp. Indeed, many of his works have Dada-style ridicule, banter, destructive, but through the analysis of history and Duchamp’s work, we found a surreal Duchamp, this article with a large amount of information and objective Analysis and demonstration of the surrealism of Duchamp’s creative thinking.