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黄永砯的“反艺术”艺术观念作为当代艺术方法论的重要建树,不仅影响着他个人的创作实践,对艺术界也具有举足轻重的影响。本文主要通过介绍黄永砯的“反艺术”艺术观念,着重分析他参与的“厦门达达”艺术运动和《两分钟的洗涤》这两件创作作品。本文的价值在于剖析出黄永砯“反艺术”的艺术观念对其创作实践的影响,指出他的创作作品打破传统艺术赖以生存的艺术条件和艺术形式,给当代思维开启了新的途径及模式,拓宽艺术的生存空间。
As an important contribution to the methodology of contemporary art, Huang Yongkang’s “anti-art” concept of art not only influences his personal creative practice, but also has a pivotal influence on the art world. This paper mainly introduces Huang Yong-tang’s art concept of “anti-art”, focusing on the two works he participated in, such as “Xiamen Dada” art movement and “two-minute wash”. The value of this essay lies in the analysis of the influence of Huang Yong-yang’s art concept of “anti-art” on his creative practice. He points out that his creative works break down the artistic conditions and art forms in which traditional arts depend for survival and open up new avenues for contemporary thinking. Mode, broaden the living space of art.