我的三件来稿中,大草中堂作品,将舒亶《芦山寺》及刘季孙《题屏》两首七言绝句写在一张六尺整张粉彩宣纸上,意在追求字法准确、摆动自然、疏密合度、提按有法、贯气洞达,通篇浑然一体,但往往心有余而力不足,差强人意而已。我一直以为,写大草不易,在一张大白纸上,将传统与功力、性情与抒怀、格 In my three contributions, the works of Tai Cao Zhong Tang wrote the two seven-character quatrains of Shu Lushan “Lushan Temple” and Liu Jisun’s “Inscription” on a sheet of six-foot whole pastel rice paper with the intention of pursuing an accurate Chinese character and swinging nature. Close confidentiality, mention according to law, Pei-dong reach, throughout the whole seamless, but often inadequate, unsatisfactory only. I always thought that writing the grass is not easy, on a piece of white paper, combining tradition and skill, temperament and expression,