佛教经古印度传入中国之后,经历了数个朝代的传播形成了具有中国特色的佛教文化。佛教在传播过程中与中国文化进行了融合与交流。佛教在唐代是发展的鼎盛时期,此时出现了很多佛教雕塑。唐代佛教雕塑中的人物造像有浓郁的中国特色,具有强烈的写实风格,与唐朝的主流审美不谋而合,是唐代社会现实的艺术概括,也是封建统治具象化的体现。 After Buddhism was introduced to China by ancient India, it experienced the spread of several dynasties and formed a Buddhist culture with Chinese characteristics. Buddhism and Chinese culture in the communication process of integration and exchange. Buddhism was the heyday of development in the Tang Dynasty, at this time a lot of Buddhist sculptures appeared. The figure statues in the Buddhist sculptures of the Tang Dynasty are rich in Chinese characteristics and have a strong realistic style. They coincide with the mainstream aesthetic of the Tang Dynasty. They are an artistic summary of the social reality of the Tang Dynasty and an embodiment of the feudalistic embodiment of figurativeness.