“五四”新文化运动以来,西方文艺思潮先后传入中国。当然主要是现实主义,此外浪漫主义、现代主义也是具有较大影响的文艺思潮。在中国现代文学的三个十年中,中国的现代派作家,都表现出对西方现代派的极大热情。现代主义在二十年代留下了一片印痕,四十年代尚有余绪,尤其是三十年代在上海出现的新感觉派,更鼓荡起一股波澜。新感觉派作家们,有的唯新是务,唯洋是求,如刘呐鸥;有的总不满足已取得的成绩和风格,经 Since the “May 4th Movement” and the “New Culture Movement”, Western thoughts of literature and art successively passed into China. Of course, mainly realism, in addition romanticism, modernism is also a greater impact on literary trends. In the three decades of Chinese modern literature, Chinese modernist writers all showed great enthusiasm for the Western modernists. Modernism left a trail in the 1920s. There were still plenty of remarks in the 1940s, especially the new sensationalism that emerged in Shanghai in the 1930s. New sensationalist writers, some new is service, only the ocean is seeking, such as Liu Naou; some are not satisfied with the achievements and style, the