艺术表现语言是艺术作品形式的基本构成要素,艺术作品的特定内容必须借助一定的艺术语言才能表现出来,成为可供欣赏的对象。在当代艺术多元并存、各种艺术流派盛行的现实语境下,随着艺术创作实践的发展,艺术表现语言已不再是纯粹客观物象的表现,它更趋向于艺术家个人对现实感悟的表达。在胡伟老师的工作室中,我们不难发现,艺术家们对宣纸和皮纸有非常深入的研究。宣纸或皮纸不光接纳水,它还可以接纳很多种媒介,如油、胶、蜡,还有其他一些媒介混合物,其包容性与现代人在当下的情感和精神形成互动。相关艺术作品不仅创造性地发挥出现代魅力,也更好地表达了艺术家自身在现实中的感受,传达出具有现代性的情感,同时也在材料技法上突破了传统,极大地丰富了当下绘画语言。材料工作室里的每一个画家,在创作时都在寻找自己的艺术个性与所画作品的衔接点,试图通过材料的转变使自己的情感进一步融入到作品中,在传统艺术语言形式的 The artistic expression language is the basic composing element of the artwork form. The specific content of the artwork must be expressed by certain artistic language and becomes the object of appreciation. With the coexistence of contemporary art and the prevalence of various art genres, with the development of artistic practice, the language of artistic expression is no longer a manifestation of purely objective phenomena. It tends to express individual artist’s perception of reality. In the studio of Professor Hu Wei, we can easily find out that the artists have conducted in-depth research on rice paper and vellum. Rice paper or paper not only accepts water, but it also accepts a wide variety of media such as oils, gums, waxes and other media blends that are inclusive of the modern emotional and spiritual interaction with the present. Relevant works of art not only play a creative charm, but also better express the artist’s own feelings in reality, convey the emotion of modernity, but also broke through the traditional techniques of materials, which greatly enriched the current language of painting . Every painter in the material studio is looking for the connection between his own artistic personality and the painted works in his creation, trying to further integrate his emotions into his works through the transformation of materials. In the form of traditional artistic language