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清初以来,私家书画鉴藏群英荟萃、名家辈出,其中尤以梁清标(梁棠邨)、高士奇(高江邨)、安岐(安麓邨)“三邨”最具代表,“三邨”共铸辉煌,照耀古今,前所未有地推动私家书画鉴藏达到全新高度,进入崭新时代。晚清民国时期,上海地区私家书画鉴藏生机勃勃、方兴未艾。吴湖帆作为其中的翘楚和巨擘,风云一时。吴湖帆与清代“三邨”作为不同历史时期私家书画鉴藏的领军人物,会有哪些交集、互动和回响呢?吴湖帆是如何看待清代“三邨”的?笔者借助《吴湖帆文稿》中的相关材料,予以浅显的回答。
Since the beginning of the Qing dynasty, the private paintings and calligraphers have gathered a large number of heroes and daughters, including famous artists such as Liang Qingbiao (Liang Tong), Goldschig (Gao Jiangcun) and Anqi (Anlu Village) Village “” Gongzhu brilliant, shining ancient and modern, unprecedented push private book collection to a new level, into a new era. During the late Qing Dynasty and the Republic of China, the collection of private calligraphy and painting in Shanghai was alive and well in the ascendant. Wu Hufan as one of the leaders and giants, the situation for a while. Wu Hufan and the Qing Dynasty “Three Caves ” as the leader of private calligraphy and painting collection in different historical periods, what would be the intersection, interaction and echo? Wu Hufan is how to treat the Qing Dynasty “Three Village Manuscripts ”in the relevant materials, to be plainly answered.