导言随着壁画——大型绘画于八十年代在国内的再度兴起,相比于传统的壁画,新的大型绘画已被赋予了时代的特定意义。从形式到内容,传统与现代的大型绘画既有关系又不尽相同,其中的风格与表现手法的演变显而易见。关于大型绘画的实践与学术研究,国内外这一学术领域显然存在着一定的 Introduction With the rise of murals and large-scale paintings in the country in the 1980s, new large-scale paintings have been given a certain significance of the times compared to traditional murals. From the form to the content, the traditional and the modern large-scale paintings are both related and different, and the evolvement of style and presentation skills is obvious. On the practice of large-scale painting and academic research, there is obviously a certain