有关一个作家、一部作品缘何成为经典的讨论是近年西方文论界热门论题之一。就当代一般文学现象论 ,作家的成名无疑经常有着美学以外的原因。对成为经典作品的作家、作品 ,则有两种差异甚大的看法 ,一种认为是只凭美学上的成就 ,一种认为美学以外的文化政治因素亦甚为关键。检看王士在其时代成为“一代正宗”并在身后持续发挥影响的原因与过程 ,可以看到 ,王氏的成为典范 ,他的才情只是起点 ,他在面对丰富前代遗产时 ,既学习又对话的写作与建立论述的努力 ,他的风格、风范 ,及他创作、论述与政治文化需要上的微妙的配合关系 ,都是王氏得以成为典范的原因 One of the hot topics in the field of Western literary theory in recent years is the discussion on why a piece of work became a classic by a writer or a writer. With regard to contemporary general literary theory, the writer’s fame undoubtedly often has causes other than aesthetics. There are two widely divergent views on the authors and works that become classics: one is based solely on aesthetic achievements, and one is that cultural and political factors other than aesthetics are also crucial. The reason and process that Wang Shizhen saw Wang Shih-t’ai becoming the “Generation One Authenticity” in his time and continuing to exert influence behind him shows that as Wang was an example, his talent was only the starting point. In the face of rich legacy of his predecessors, Both the study and dialogue writing and the establishment of discourse elaboration, his style, style, and his subtle cooperation relationship with the political and cultural needs are the reason why Wang can become a model