论文部分内容阅读
“唱独脚戏”邹韬奋一九二六年十月开始接编《生活》周刊,是在一无资金、二无人力的情况下“空手起家”的。周刊社设在上海辣斐德路一间小小的过街楼里,全社职工只有两个半人:除韬奋外,一个主持营业和广告,另一个做会计的青年,还在别处兼职,故只能算半个人。韬奋以“光杆编辑”包揽了每期的大部分稿件,这是由于刊物销路小、稿费低,向外约稿不易,不得不一个人“唱独脚戏”。他“模仿了孙悟空先生摇身一变的把戏”。取了十来个笔名,每个笔名派它一个特殊的任务。例如,一个叫“因公”,专做阐扬孙中山先生遗教的文章;一个叫“落霞”,
“Singing a one-man show” Zou Tao-fen started in October 1926 compilation of “Life” magazine, “no money, no manpower in the case of” empty-handed “. Weekly based in Shanghai Lafayette Road, a small building across the street, the whole community only two and a half workers: In addition to working hard, one presided over the business and advertising, another accounting young people, still part-time elsewhere, so only Can be considered half personal. Taofen to ”light pole editor“ swept most of the manuscript each issue, which is due to small sales publications, royalties low, not easy to issue a draft, had a person ”sing the one-man show.“ He ”imitated Mr. Sun Wukong’s transformed act.“ Take a dozen pen names, each pen name to send it a special task. For example, one article entitled ”Because of the Public,“ specifically designed to promote the legacy of Sun Yat-sen; an article called ”Falling Clouds"