林彪、“四人帮”作孽之时,文艺园地上的移植之风,甚嚣尘上。那时只有那么几个“样板戏”,到处移植,弄得演员不对工,在台上手足无措;观众不爱看,在台下叫苦不迭。今天,也还常见这样的现象:一个有影响的剧目出来了,同剧种的趋之若骛,不同剧种的也纷纷移植,没完没了。结果把好事 When Lin Biao and the “gang of four” committed inhuman activities, the winds of transplanting on literary and art circles were rampant. At that time, there were only a few “model operas” that were transplanted everywhere so that the performers did not know how to work and were on the stage. The audience did not like to watch it and complained bitterly at the stage. Today, the phenomenon is also commonly seen: an influential repertoire came out, with the opera rush, different operas have also been transplanted, endless. The result is a good thing