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随着社会文明的发展,人们不再满足于对神话、宗教等神秘主义事物做艺术表现,逐渐将表现的重心转移到现实中人的审美趣味上来。一部分人逐渐从主观的人神关系中解脱出来,开始在作品中寻找客观存在的本我价值,开始关注“我我关系”、“人我关系”和“物我关系”。这几种关系,也正是艺术家、雕塑作品、场地环境和审美大众四者之间关系的体现。因此,公共雕塑艺术至今仍然是人类社会普遍关注的对象。由于
With the development of social civilization, people are no longer satisfied with making artistic representations of myths, religions and other mysticism, and gradually shift the focus of their performance to the aesthetic taste of the real people. Some people gradually freed themselves from the subjective relationship between man and god and started to look for the value of the objective existence in the works. They began to pay attention to the relationship between “My relationship ”, “Relationship between people and I ” and . These kinds of relations are also the embodiment of the relationship among the artists, sculptures, site environment and the aesthetic public. Therefore, the public sculpture art is still the object of widespread concern in human society. due to