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柏辽兹是西方音乐史上浪漫主义中期的代表人物之一,开标题音乐之先河,并一生都要在致力于发展标题音乐。他力图把音乐文学化,用音乐的语言来表达文学中生动具体的形象,在当时具有重大的意义。标题音乐是19世纪最为代表的性的器乐体裁之一本文所研究的《哈罗尔的在意大利》这首以中提琴为主线的交响乐,与他早期的作品不同,这首作品更具有特性。这首交响曲在中提琴史上起着里程碑的作用这首乐曲可以很好的表现出浪漫主义中期的音乐创作风格,其研究的意义便不言而喻。
Berlioz, one of the mid-romantic representatives of Western music, opened the door to the title music and devoted his life to the development of title music. At that time, he tried to make the music literary and used the language of music to express the vivid and specific image in literature. The title music is one of the most representative sexual instrumental genres in the 19th century. The Symphony of “Halor’s in Italy”, which is mainly based on the viola, is different from his earlier works. The first work is more characteristic. The first symphony in the history of the violin played a major role in this piece of music can be a good mid-romantic performance of the music style of writing, the significance of its research is self-evident.