人在都市生活中往往容易失忆。在自然生活中所获得的丰富情感及个性,被原生态文化所赋予的记忆,都会在都市人的瞬间快乐中遭受遗弃,所剩无几。都市人所拥有的文化,无非是一些时尚的泡沫,毫无根性,难以回味,缺乏诗意。在这种背景下,宋红雨的作品就表现出一种可敬的文化态度:它以娓娓动听的民俗故事,雅致清新的画面,含蓄内敛的韵致,悠然深闳的文人笔意,试图恢复都市人的文化记忆,赋予他们无根性的生活以历史感。宋红雨的作品挂在美术馆中显得很异类,具有强烈的感召性。在很大程度上,正是由上述的文化态度所致。 People tend to lose memory in urban life. The rich emotions and personalities acquired in natural life and the memories given by the original ecological culture will be abandoned in the mere moments of urban people’s happiness. Culture owned by urban people, nothing more than some fashion bubble, rootless, difficult to aftertaste, lack of poetic. In this context, Song Hongyu’s work shows a respectable cultural attitude: it is appealing to the folk story, elegant and fresh picture, subtle introverted rhyme, leisurely scholarly literary meaning, trying to restore the city Cultural memory, give them a rootless life with a sense of history. Song Hongyu’s works hanging in the art gallery appear very heterogeneous, with a strong appeal. For the most part, it is caused by the above cultural attitudes.