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中国画家知笔墨者,当可笔篁。当知芥子撇竹之术非小术也,乃寓笔墨大法,天人大道,系于龙人文化之神觉观。中国画道以本观末,以微见宏,中庸而意。故授山不画全山,而授石之相间;授竹不画全林,而授叶之点式。排除物之虚光浮影,取时空不易之本体,不求殊表,直向本物之凹凸,纯静其绝对时空,立意于线,观之神骨。故中国画道,不取目画而重神写,寓大道于一笔之中。石涛有一画论者,其言也玄。虎复言此不言之物,实因此乃丹青
Chinese painters know ink, when can be pen. When you know how to write Chinese mustard bamboo non-small surgery also is Dafa Dabu, Tianren Avenue, Department of Dragon culture of God’s perception. Chinese painting to the end of this view, micro micro see macro, mean and meaning. Therefore, the mountain is not granted all over the mountain, and granted the stone phase; granted bamboo does not draw the whole forest, while the point of leaves. Exclusion of the illusion of light and shadow, taking the time and space is not easy ontology, not for special table, straight this bump, pure static its absolute space-time, the intention of the line, the concept of God bone. Therefore, Chinese painting, do not take the picture and recount, write Avenue in a stroke. Shi Tao has a painting theory, its words are mysterious. Tiger repentance this does not say thing, so it is Danqing