从20世纪30年代初期开始,由鲁迅先生倡导,以进步青年美术家为主体的新兴木刻运动,揭开了中国现代美术史的光辉一页。在新兴木刻运动的初创时期,原杭州国立艺术院(后改名国立杭州艺术专科学校,今中国美术学院前身)“一八艺社”的艺术主张和艺术实践,尤其是在木刻创作方面所取得的探索性成果,堪称新兴木刻运动的先声,对中国现当代艺术的发展,具有无法替代的奠基性意义。“一八艺社”中不少艺术家在中国现当代美术发展的历程中都作出了不可磨灭的贡献,汪占非先生即是其中重要的一位。 Starting from the early 1930s, the emerging woodcut advocated by Mr. Lu Xun and based on the improvement of young artists led to a glorious page in the history of modern Chinese art. In the start-up period of the emerging woodcut movement, the artistic ideas and artistic practices of the former State Art Institute of Hangzhou (later renamed the State College of Hangzhou Arts and now the predecessor of the China Academy of Art) “18 Arts and Social ”, especially in woodcut creation The exploratory achievements obtained are the forerunners of the emerging woodcut movement and have an irreplaceable ground-breaking significance for the development of Chinese modern and contemporary art. Many artists in the Eighteen Arts Society have made indelible contributions in the course of the development of modern and contemporary Chinese art. Mr. Wang Zhanfei is one of the important figures in his work.