论文部分内容阅读
我国钢琴音乐作品,从选材、作曲、编曲、演奏诸方面,体现出鲜明的地域特色、民族特点。作曲家借鉴西洋和声与民族配器法,使之相融合,扬长避短,既突出了五声音阶的民族性,又彰显了西洋和声的长处,使和声功能、音响效果,在音乐创作的结合中,得到天衣无缝的体现,艺术效果得到淋漓尽致的表现;情绪内涵展现得寓意深远;作品延伸创新,轮指、跨指、装饰演奏等,使演奏技巧运用得恰如其分、出类拔萃、活灵活现。显而易见,我国钢琴作品,只有扎根于民族土壤,反映民族文化,体现民族风格,才能被广大听众所接受和喜爱,也才能更好地走向世界。
Our piano music works, from the selection, composition, arranger, playing all aspects, embodies a distinctive geographical features, ethnic characteristics. The composer draws on the harmony of the Western and ethnic groups to harmonize them with each other and build on their strengths and circumvent weaknesses. This not only highlights the national character of the pentatomic scale, but also highlights the merits of Western harmonies so that harmony features, sound effects and the combination of musical composition , The art of performance has been most vividly demonstrated; the emotional connotation has far-reaching significance; works extended and innovative, round finger, cross-finger, decorative playing, etc., so that playing skills can be used appropriately, outstanding, vivid. Obviously, the piano works in our country can only be accepted and loved by the masses of listeners only if they are rooted in the soil of the nation, reflect the national culture and reflect the national style, and they can better go to the world.