论文部分内容阅读
姚振宗《〈漢書·藝文志〉拾補》以體例編排一仍《漢志》而又有所變通,拾補書籍的數量較多、較全,凡有可考皆予疏通證明而爲人所矚目,足稱《漢志》》》及古典目錄學研究的名著。然其也存在着一些可商之處,如所拾補的書籍,有些或本無其書,有些只是後起之書,有些或雖有其學而無其書;一些書籍的歸類或著錄的位置失於妥當;針對某些問題的看法也還存在着不確等。對其中的一些案例進行辨析,有助於《漢志》》拾補工作的完善,並於古典目錄學相關問題的研究有所推進。
Yao Zhenzong’s “Han Shu Yi Wen Zhi” pick up “to arrange a still” Han Zhi “and subject to change, pick up a large number of books, more complete, where there are examinations are clear to prove that people are attracted attention, Dubbed ”Han Zhi“ ”" and the classic masterpiece of bibliography. However, there are some areas where they can be traced, such as the books they have picked up, some or no books, some books only from the later, some or even their own books, and the classification or recording of some books The location is not properly handled; the views on certain issues are also still uncertain. Discrimination of some of these cases helps the improvement of Han Zhi’s work of picking up and supplementing, and advances the research on classical bibliography.