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中国岩画以线条造型,以线成面,勾勒轮廓,线性勾勒是中国岩画的主要特点。先民对造型语言的体认是从线条开始的,在以线条体认造型的基础上,先民们的岩画创作重在以线表意。岩画的线条中蕴含了丰富的意蕴:以静显动,寓动于静,展示了万物生命的律动;在万物生生不息的生化过程中原始先民们体悟到一种有秩序的节奏变化,并用线条有序排列的感性形式来表现这种生命的秩序感;受制于物质材料和载体,原始岩画讲究装饰效果,既用线条状物,也用线条装饰,线条装饰的图案既有某些真实性,又有观念性的抽象,其意在似与不似间,对后世的人物画和山水画影响深远。
Chinese rock paintings with line modeling, line to surface, outline, linear outline is the main feature of rock paintings in China. The ancestors ’recognition of stylistic language starts from the lines. On the basis of recognizing the shapes of the lines, the ancients’ rock paintings are mainly focused on lines. The lines of the rock paintings contain a wealth of implication: static movement, movement in the static, showing the rhythm of life of all things; in the biological process of all things, primitive ancestors realized an orderly pace of change, and use The sense of order of the lines arranged in order to show the sense of order of this life; subject to the material and the carrier, the original rock paintings pay attention to the decorative effect, both with lines, but also decorative lines, decorative lines both the text of some authenticity , But also a conceptual abstraction, which is intended to seem like and not, the later figures and landscape painting far-reaching impact.