19世纪末20世纪初,弗洛伊德经研究提出了具有重大意义的“精神分析学”理论,其理论随着时代的不断发展,逐渐渗透到各个领域。韩国电影导演金基德创作的《悲梦》便在“精神分析学”的基础上,以其独特的表现手法,鲜明的人物性格,展现了具有精神理论美学的电影风格。本论文通过对精神分析学电影理论的探究,详细阐述了电影《悲梦》中对精神分析学的运用,最后分析了其理论对《悲梦》产生的作用。 From the late 19th century to the early 20th century, Freud, through his research, proposed the “psychoanalysis” theory of great significance. With the continuous development of the times, his theory has gradually penetrated into various fields. On the basis of “psychoanalysis”, the “sad dream” by Korean film director Jin Jide created a film style with aphorist theoretical aesthetics based on his unique expression technique and distinctive character. Through the exploration of psychoanalytic theory of film, this thesis elaborates on the application of psychoanalysis in “sad dream” of movie, and finally analyzes the effect of its theory on “sad dream”.