黑黝黝、灰朦朦的色彩,自始至终笼罩着银幕,使人感到压抑、窒息,透不过气来。看过系列片《慈禧墓珍宝传奇》前两集——《东陵大盗》和《平津夺宝》的观众都有同感。达大概是编导者所追求的艺术效果吧。运用暗淡色彩的手段,意图在于表现旧中国那种政治黑暗、军阀割据、战祸不断、民不聊生、文化遭破坏、珍宝被盗窃的历史悲剧。编导者的意图和手段 Dark, gray Meng color, shrouded in the screen from start to finish, people feel depressed, suffocation, thoroughly breath. Seen series of “Empress tomb treasure legend” first two episodes - “Dongling bandit” and “Pingjin Indiana” audience agree. Da is probably the director of the pursuit of the artistic effect of it. By using dusky colors, the intention is to show the historical tragedies of the political darkness, the warlords’ separatism, the scourge of war, the infamy of the people, the destruction of culture and the stealing of treasures from old China. Director’s intentions and means