我自1963年在商丘县文化局剧目组任专职编剧,至今40年来一直从事戏剧创作。期间,经历过60年代戏曲的辉煌、70年代戏曲的凋零、80年代的复苏、90年代以来的困难。任凭众说纷纭,我一直认定戏曲充满生机,戏曲充满希望,戏曲不会消亡。 《中国戏剧》推出当代中国戏剧之命运的讨论,我感到这个问题抓准了, Since 1963 I have been a full-time screenwriter in the Shangqiu County Department of Cultural Affairs and has been engaged in theater creation for 40 years. During that period, he experienced the glory of opera in the 1960s, the dying of drama in the 1970s, the recovery in the 1980s and the difficulties since the 1990s. Despite all my opinions, I have always assumed that drama is full of life, drama is full of hope, and drama will not die out. “Chinese drama” debates the fate of contemporary Chinese drama. I feel that this issue has been grasped.