凡严肃的小说创作者没有不去储备生活的,但,是储备故事,还是储备人物,说法就莫衷一是了。本人的心得是:一定要储备人物,而不是故事。故事是泥沙,人物才是埋在泥沙里的金子。没错,没有故事,小说就难以立在纸上。余华说故事是小说最后的救命稻草,也自有他的道理。不过在一篇小说里,故事和人物是一种本末关系,是一种皮毛关系。人物是本是皮,故事是末是 Where serious creators of the novel do not have to save their lives, but the story of the reserves, or reserve people, the argument is incomprehensible. My experience is: we must reserve people, not the story. The story is silt, the character is buried in the mud of gold. Yes, no story, the novel is difficult to stand on the paper. Yu Hua said the story is the story of the last straw, but also his own truth. However, in a novel, stories and characters are a relationship between the end of the world and the world, a fur relationship. The character is the skin, the story is the end