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北欧地区一年中难得阳光普照,然而北欧的设计却不受影响,一直十分活跃。近年来,北欧的极简设计风甚至狂扫全球生活杂货与精品市场,成为一种时尚。如今“北欧”代表的意义,不仅止于小美人鱼童话、诺贝尔奖或是维京海盗,现代建筑与极简的设计成为了人们更进一步关注的目标。是什么赋予了北欧设计如此强大的生命力?北欧设计的理念对于国内的陶瓷设计又有何借鉴之处?本期《中国陶瓷设计》杂志诚邀到了联合国教科文组织国际陶艺协会(IAC)会员、颜泽陶瓷国际设计中心执行总监、南京艺术学院设计学院副教授蒋炎老师与我们共同解读北欧设计背后的魅力所在。蒋炎(又名蒋颜泽)在从事陶艺创作和教学之余,关注日用陶瓷设
The Nordic region enjoys a rare sunny year, yet Nordic design has been unaffected and has been very active. In recent years, the Nordic minimalist design style even swept the global life groceries and boutique market has become a fashion. Nowadays, the meaning of “Nordic” represents not only the Little Mermaid Fairy Tales, the Nobel Prize or Viking Pirates, but also the modern architecture and the minimalist design as the goal of further attention. What gives Nordic design such a strong vitality? Nordic design concept for the domestic ceramic design What is the reference? This issue of “China Ceramic Design” magazine invited to the UNESCO International Ceramic Association (IAC) members, Yanze Ceramics International Design Center Executive Director, Nanjing Art Institute, Associate Professor Jiang Yan School of Design and our common interpretation of the charm behind the Nordic design. Jiang Yan (aka Jiang Yanze) engaged in pottery creation and teaching, while focusing on ceramics for daily use