随着当前各国各地区的文化交流日益频繁,“跨界”已经成为一个实时的概念。陶身体剧场之所以能受到外国观众的喜欢,笔者认为关键在于他们找到了中西方跨界的一种很好地结合。西方新颖的编舞手法,形式化的动作解构加上东方传统美学观念的渗透,使它不管在哪里都能找到自己的根,同时又习得嫁接另一优质品种的技术。由此看出,“跨界”确实是当前文化艺术发展的一种好办法,也是其发展的必然趋势。 With the increasing frequency of cultural exchanges in various regions and countries, “cross-border” has become a real-time concept. Tao body theater was able to get the likes of foreign audiences, I think the key is that they have found a good combination of Chinese and Western cross-border. Western novel choreography, formal deconstruction of movement, and the infiltration of Eastern traditional aesthetic concepts make it possible to find its roots wherever it is found and, at the same time, learn the techniques of grafting another fine variety. From this, we can see that “cross-border” is indeed a good way for the development of culture and the arts and an inevitable trend of its development.