作品解读的“多解”是“走近”和“背离”作者的复合现象。批评不仅要了解作者“想说什么” ,还要阐明作品实际“说了什么” ,从而使批评主体经由客体 (作品 )达至创作主体 ,发现作者的“我思”。批评家对作品意义的创造性“活化” ,必须在作品提供的“意义框架”内进行 The “multiple solutions” of the works are the compound phenomenon of the authors of “Approaching” and “Deviation”. Criticism should not only understand the author “want to say something”, but also clarify what the work actually says “so that the subject of criticism reaches the subject of creation through the object (works) and finds the author’s” I think. “ The creative ”activation“ of critics’ meaning in works must be carried out in the ”framework of meaning" provided by the work