本文从社会表演学的角度出发,主要从角色合理化与和谐秩序,社会角色与面具以及社会规范与后台的多元化这三个方面来考察在三种不同的仪式下考狄莉亚,娜拉和斯伐法的社会表演行为。并分析她们正是没有将自身的社会角色合理化,缺乏表演意识,社会规范意识和后台的多元化意识,从而在社会表演和仪式的关系中作出了自己不符合社会表演学规范的人生的选择,并为各自的悲剧命运埋下伏笔。 This article, from the perspective of social performance studies, examines the role of cosmetology in the performance of three different ceremonies, namely, Cordelia, Nora and Sfakar’s social performance. And analyzes their just did not rationalize their social roles, the lack of performance awareness, awareness of social norms and the background of the diversity of consciousness, so that the social performance and ceremony of the relationship made their own does not meet the social performance standards of life choice, And laid a foundation for their own tragedy destiny.