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編輯同志: 去年我編写昆剧《思凡》的教材,查了不少有关《思凡》的材料,但《思凡·下山》的来历一直未搞清楚。讀了貴刊一月份所載赵景深先生《从<下山>到<僧尼会>》一文后,有些問题仍然模糊。思索許久,也未有結論。今将自己的浅见写出来,恭候赐教。如有可能,請将这意见代轉給赵景深先生。赵先生的文章一开头就写道:“昆剧演《下山》,紧接着《思凡》,大約从郑之珍的《目連救母劝善戏文》而来。”讀到这里,又忆起赵先生在《明清曲談》上的另一篇文章《劝善金科》。
Editor’s Comrade: Last year I compiled the teaching material of Sifan in Kunju Opera and checked a lot of materials about Sifan. However, the origins of Sifan Down Hill have never been clarified. After you read Mr. Zhao Jingshen’s “From Down Hill to Monk and Nun” in January, some of the problems remain vague. Thinking for a long time, nor conclusive. Now write my own humble opinion, waiting for enlightenment. If possible, please forward this opinion to Mr. Zhao Jingshen. Zhao started his essay by writing: “Kunqu Opera plays down the mountain,” followed by “Sifan,” about from Zheng Zhizhen’s “Head Commander to help motivate good play.” Read here, and remembered Mr. Zhao In the “Ming and Qing Dynasties song” on another article “persuasion good golden section.”