蒙古民歌,是我国各族民歌中极具代表的艺术种类,她在蒙古文化中也占重要位置。蒙古民歌数量众多,内容丰富,从远古到现当代,反映的是蒙古人民最真实生活状态。对蒙古民歌,很多分类,并基本按照传布之地区、年代、歌词语义等类别区分,如:宫日格玛提出:蒙古族民歌音乐分类可有三种角度:一、其节拍形式,有长、短调歌;二、按声部的形式划分,分别为“单旋律歌曲”和“二声部歌曲(潮尔)”;三、按体裁可分为宴歌、小调、舞歌、劳动歌、猜拳歌、儿童歌、宗教歌等七类1。从不同的分类可以看出,对蒙族民歌演唱的研究对象有多种可能。 Mongolian folk songs are the most representative art genres in the folk songs of all ethnic groups in our country. She also occupies an important position in Mongolian culture. The large number of Mongolian folk songs, rich in content, from ancient to modern times, reflects the most authentic living conditions of the Mongolian people. Mongolian folk songs, many categories, and basically in accordance with the dissemination of the region, age, semantic distinction between lyrics and other categories, such as: Gongri Gema proposed: Mongolian folk music classification can be three angles: First, the beating form, long, short Tune song; two, divided by the part of the form, respectively, “single melody song” and “second song” (song Seoul); third, according to the genre can be divided into feast, minor, dance song, Songs, guess boxing songs, children’s songs, religious songs and other seven categories 1. As can be seen from the different categories, there are many possibilities for the study of Mongolian folk songs.