套本戏的演出形式非常特殊,中国戏曲写意性特征是套本戏形成的土壤;中国传统叙事结构及在此基础上发展而来的影戏的穿插间演的做法,为套本戏的出现,提供了依据和前提;戏曲创作中的同类做法为套本戏的出现提供了可资借鉴的元素;现实的演出环境是套本戏出现的外部动因。套本戏存在于人戏和影戏当中,虽数量不大,但演出形式极为特殊.即在同一次演出中,将两个内容各异、表演形式相似的剧目套为一本,一场演甲剧,下一场演乙剧,依次交替轮流演出,最终可合而为一,用同一场结尾来结束,也可分别结 The form of performance of the play is very special. The freehand feature of Chinese opera is the soil formed by the set of plays. The traditional narrative structure of China and the interludes and interludes of the movies developed on the basis of this are the emergence of the play, Provided the basis and premise; the same kind of practice in the drama creation provided a reference element for the emergence of the set of play; the realistic performance environment was the external motivation for the play. The set of the play exists in the human drama and movie, although a small number, but the performance is very special form, that is, in the same show, two different content, the performance of similar forms of sets as one, a performance armor Drama, the next play A drama, turn turn turn performances, eventually can be combined into one with the same end to the end, can also be knot