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今人对中国音乐史上左、右旋生律及旋宫图的理论探讨,自20世纪80年代至今一直进行着。1有学者认为,“一个旋宫中的左旋、右旋问题,已经触及到如何解读古代文献、如何认识古代音乐、如何构建中国音乐理论体系的根本,成为一个不能不认真加以对待的问题。”2对该理论重要性的如此认识,我表示赞同。但已有研究成果表明,大多学者的研究多取文献解读的视角,呈见仁见智之观。笔者数年来在乐律学的教学与研究实践
Contemporary people on the Chinese music history, left and right spin genesis and the theory of romance map theory, since the 1980s has been carried out. 1 Some scholars think that “the problem of left-handedness and right-handedness in a revolving palace has touched upon how to interpret ancient documents, how to understand ancient music, and how to construct a theoretical system of Chinese music. This has become a problem that one can not but seriously treat. ”2 I agree with this understanding of the importance of this theory. However, some research results show that most of scholars take the perspective of literature interpretation from the perspective of having different opinions. The author over the years in the law of music teaching and research practice