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新世纪以来,以奇幻、玄幻、灵异为主导的幻异文学一度占据中国大众阅读市场的主流,它们以抛弃时间、淆乱空间、回避人性和道德的架空世界为特征,体现出新一代大众文学在商业逻辑下的群体性迷狂。当下的幻异文学以本土民间通俗“小传统”为远祖,以西方魔幻文化为近宗,以游戏和动漫为直接资源,由港台流行文化变种而来。就表征而言,体现了在伊托邦的现实书写语境中,对于乌托邦和敌托邦双重背弃的虚托邦,在文化多元主义的表象之下,展示了我们时代大众文学方生速死的空洞心灵;就其思想根源的内在理路而言,则体现了集体无意识的异类心理积淀在特定社会情境中的形式变异,由此为我们考察当下中国文化和大众精神状态提供了一个切入的基点。
Since the beginning of the new century, illusory literature dominated by fantasy, fantasy and supernaturalism has occupied the mainstream of Chinese mass reading market. They are characterized by an empty world that discards time, confuses space and avoids humanity and morality. It shows that the new generation of popular literature Group of crazy business logic. The current illusionary literature with folk folk “little tradition ” as the ancestor, the Western magical culture as the past cases, games and animation as a direct source, from Hong Kong and Taiwan pop culture variant. In terms of characterization, it reflects the fact that in the context of the realistic writing of Itobang, the illegitimate kingdoms that doubly abandon Utopia and the enemy’s trust, under the appearance of cultural pluralism, show the speedy death of our contemporary mass literature Of the hollow mind; in terms of its ideological roots of internal logic, it reflects the collective unconscious heterogeneous psychological accumulation in a particular social situation in the form of variation, which for our study of current Chinese culture and the state of the public spirit provides a cut-point .